Saarattu Vandiyila - Melody is easy, rhythm is zingy, percussive arrangement is crisp, mood is festive, the whole song is conventional, comforting and an instant ear-worm. The song is Rahman’s take on the most popular tamil folk riff “Thanna na naa dhinam, Thanna na naa dhinam, Thanna na naa dhinam, Thandhaanae”. Vairamuthu pours into the one-trick melody lots of beautiful words and phrases filled with playful imagery and innuendos. Sample this, “Avan kaigalil udayattum kanni kannadi” — the image of bride’s virginity as a brittle glass that would be broken in the hands of the groom on the wedding night. Vairamuthu’s earthy Tamil syllables have always had problems sitting comfortably on Rahman’s polished musical phrases and sophisticated production (example, purusan in Yaaro Yaarodi), but in Saarattu vandiyila marriage between the two sounds almost perfect. That final crescendo, where all the best riffs of the song come stacked in many layers, blossoming together like petals of varied colours in one flower, it makes you go “Pudhu Ponnae, Adhu dhaandi Rahmanin baani”.